Constellations sur les nations.
L’entubé nous approche
Fier de ses yeux de cuivre
On voudrait bien y vivre
À l’abri de ses croches.

L’entubé nous approche

Fier de ses yeux de cuivre

On voudrait bien y vivre

À l’abri de ses croches.

Hippocampe Fou, Le Mythe de l’Ermite

arirainunite:

danstrudel:

nomorecops:

ranchdepressing:



if that mouse had pants he would shit them




the cat LUNGES at him and then just lovingly boops him omg
I am dying



Wild domesticated shit

Next time on, “I shouldn’t be alive”

Aw

arirainunite:

danstrudel:

nomorecops:

ranchdepressing:

if that mouse had pants he would shit them
the cat LUNGES at him and then just lovingly boops him omg
I am dying

Wild domesticated shit

Next time on, “I shouldn’t be alive”

Aw

asylum-art:

Léo Caillard and Alexis Persani 's “Street Stone” Gives Louvre's Classical Sculpture Some Hip Threads

Artist on Tumblr, Behance, Facebook

"As if they didn’t already have the perfect physique… now the Louvre’s classical sculptures have flawless style as well. French photographer Léo Caillard teamed up with digital mastermind Alexis Persani to give these ancient sculptures a sartorial update with their “Street Stone Series.”

Caillard photographed the statues in the buff and then used his friends as models for the flannels, cuff jeans, and Ray Bans that the statues would wear. Persani then combined them to create a startlingly natural-looking series. Suddenly the way they lounge, look off into the distance and sport those flamboyant moustaches looks all too calculated. Then again, since the now-monochrome statues were originally brightly painted, maybe the images aren’t that far off base after all.

What do you think? Do you prefer your Louvre sculptures classical or trendy?

whismical:

tooombz:

Felix Gonzalez-TorresUntitled (Perfect Lovers) 1991. Clocks, paint on wall.
Untitled (Perfect Lovers) consists of two clocks, which start in synchronisation, and slowly, inevitably fall out of time due to the failure of the batteries and the nature of the mechanism. In a moving comment on his personal experiences, the piece refers to Gonzalez-Torres’ HIV positive partner Ross Laycock, and his slow decline and inevitable death due to AIDS. The clocks act as two mechanical heartbeats; representative of two lives destined to fall out of sync, and holds a poignant poetry about personal loss and the temporal nature of life.
“Don’t be afraid of the clocks, they are our time, time has been so generous to us…We conquered fate by meeting at a certain time in a certain space…we are synchronized, now forever. I love you.”

whismical:


tooombz:

Felix Gonzalez-Torres
Untitled (Perfect Lovers) 1991. Clocks, paint on wall.

Untitled (Perfect Lovers) consists of two clocks, which start in synchronisation, and slowly, inevitably fall out of time due to the failure of the batteries and the nature of the mechanism. In a moving comment on his personal experiences, the piece refers to Gonzalez-Torres’ HIV positive partner Ross Laycock, and his slow decline and inevitable death due to AIDS. The clocks act as two mechanical heartbeats; representative of two lives destined to fall out of sync, and holds a poignant poetry about personal loss and the temporal nature of life.

Don’t be afraid of the clocks, they are our time, time has been so generous to us…We conquered fate by meeting at a certain time in a certain space…we are synchronized, now forever. I love you.”

superglittercrush:

Things We Fancy.

Harder, Better, Faster, Stronger a 13 ans aujourd’hui

superglittercrush:

Things We Fancy.

Harder, Better, Faster, Stronger a 13 ans aujourd’hui